The Rise Painting Parties and the Dangers of DIY

In recent years the art community has seen a rise in what you might call a “painting party.” For many small business groups, it’s the concept of a single night’s painting class in which a group of adults all paint a simple design while enjoying a bottle of wine or other beverage to relax. Thees BYOB nights have popped up all around the country and what started small has become a national phenomenon. However, with more and more people signing up for these events, I have to wonder about the long term implications of what might happen to artists and art as a whole. 

What does excite me about the opportunity these events bring to communities is how it opens new doors for many people and teaches them that they can be creative even if they have never thought of themselves as such before. In opening up new people to the world of art, it has begun to build their confidence in understanding the visual arts as well as being able to relate to artists rather than admire or gawk at them from a distance. However this understanding I believe can come at a high cost if we’re not careful. With the confidence to just paint something for yourself, these avid creators may not find the need to support and collect works from working professionals and skilled hobbyists anymore. 

Art should always feel accessible and “fun” for the creator, but this type of relaxing fun at these “painting parties,” cannot and should not take the place of fine art in our communities. In the mid 20th century there was a rise in the DIY culture for remodeling homes in suburban America. In most cases it became the norm to tackle large carpentry or interior designs to improve one’s home and lifestyle. These days hardware stores market themselves on this principle and it’s become integrated in our culture today. However out of the DIY movement came a slew of problems. Not all remodeling can be considered DIY, especially a number of electrical and plumbing projects, which have often plagued the average Do It Yourselfer and caused thousands of poorly designed and constructed homes across the country. 


So what does this have to do with painting parties? To put it simply when the visual arts are pushed into the DIY world, everyone suffers. If people reach a point where they decorate their homes with their own attempts at fine art, while at the same time moving forward with the mentality of “I can just make my own, I don’t need to buy something,” then the visual fine artist will go extinct. To limit the arts to simply something that can be done on a Friday evening for a couple hours, is to cause serious harm to the global art community and our culture as a whole. The dumbing down of painting in this case into the “party” mentality can potentially rob our society of the culture of great art; and in its place build an anarchy of DIY “arts and crafts.” 

However, this isn’t to say these party events are all bad. As I began, creating a fresh and engaged group of creative adults is something our culture is in desperate need of. The more and more people become engaged in the act of creating (in whatever form it takes), the more we will see a surge in the education and respect for the fine arts which could grow exponentially. I don’t feel that we are in either side of these extremes as of yet, however the dark side of them could easily overtake the culture not check on every now and then. As these types of businesses and events continue to flourish, it’s everyone’s responsibility not to simply limit our view of the visual fine arts. While the painting process is fun and rewarding it’s more than just something that takes a few hours while sipping on a glass of Merlot in a building that was once a pizza shop. Instead these events should be using the creative outlet to build up our desire for the beauty and aesthetics of work created by professionals and skilled hobbyists working in the field today.

The Amplification of Reality

About at month ago I was sitting in the studio pondering the concept of creating art, when I was struck with a rather profound thought. “Art is the process of amplifying reality in order to create an emotional response.” For a long time I wanted to build this idea into a live show, but there isn’t much here for that. Thus, I will expand on the concept here.

While this isn’t meant to take the place of my “What is Art” post, it instead should supplement it and give you greater insight into the creative mind. So what about this concept of “amplified reality.” Think about it logically for a moment. Whether we’re talking 2D or 3D, Traditional or Digital, Contemporary or Historical; art in every age, medium, and style from abstract to realism seeks to mimic and amplify reality into something profound. Even absolute photorealistic painters understand this very well. A brush stroke at it’s very core imitates reality. To imitate something and make it seem believable you often are using techniques to trick the brain into processing images into different emotional states.

Take for example optical illusions, most famously the work of M.C. Escher. Much of his work while yes is mathematical, still needs to have a visually artistic and aesthetic portion to seem relatable to the human eye. Escher’s work is primarily architectural and he knew how to bend the visual rules in order to change the perception of reality. Looking at one of his works you are forced to debate in your own mind if such a structure is even possible in the first place. Just when you feel confidant you’ve figured it out, your eye tells your brain it’s wrong again.

For a painter it’s often about using brighter or duller colors to create a mood within a painting. Such a mood of color, paired with complex psychological color theory, triggers the viewer in and emotional response of anything from joy to anger and everything in between. Scientifically speaking a painting is just an image and an image by itself doesn’t have meaning. However, as culturally educated humans, we give meaning to color, shapes, symbols, and forms that both as artists and viewers create a connection within the image.

Abstract art takes what is already familiar and distorts it. An abstract reality is distorted from one emotion and often works to make us feel another. Abstract landscape painters are often understand this well. Using texture in their paintings rather than details on the forms, they can manipulate emotion through movement. A textured horizon line in red and yellow, can be just as impactful as a details in a sunset if executed properly.

So I say it again... “Art is the process of amplifying reality in order to trigger an emotional response.” Let your art not simply be something that imitates reality, but enhances it in your own unique way. Being able to amplify, enhance, and interpret the world as you see it and then turn it outward to create art, is the core of being an artist.

Tutorial Addiction and the Pitfalls of Social Improvement

Ok, so you’ve got your 700 Photoshop brush packs from your favorite artists, you’ve downloaded all the free eBooks, you’ve got a black hole of bookmarks in your web browser, and a folder of 10,000 inspirational images. You’re ready for some serious artwork! Except you have no idea how to even begin a drawing or painting. “Wait, I’ve got all the resources at my finger tips don’t I? That’s the glory of the internet and social media! All my friends love my sketches and tell me what a great artist I am, but all I do is sketch on my homework and draw fan art of my favorite anime characters. Why can’t I just start a drawing?” Two words my friends, “Tutorial Addiction.”

This phrase came to me earlier this week and it’s been really festering in my mind. Even I fall prey to the illusion of social improvement, being both an avid watcher of art videos on YouTube and a creator of them too. However, at the end of the day everything still comes down to actually making something. This is where many young (and even old) artists get stuck. You think that after one tutorial you’re ready to create a masterpiece, and when your piece turns out less than expected you get frustrated. “Hey I watched the tutorial and understood it, why can’t I do it like they can?”

This is the difference between having resources, and properly utilizing them. Following a tutorial and doing the demonstration only goes so far. The catalyst for true improvement happens when you apply what you learned to your art and build up your own techniques based on what other artists have done. When you apply the concept behind your favorite paintings, matched with knowledge of the artists that came before you, then and only then can you start to improve your work.

The idea of social improvement through your art community isn’t a bad thing. I would sound like a complete hypocrite if I was trying to imply such a thing. However, focusing on your community rather than your own work can stint your growth as a creative individual. Additionally, hording resources doesn’t help you either. Having great tools only goes as far as your experience and skills. If you still don’t have a grasp on the human figure, no fancy Photoshop technique or type of pencil will help you master it (only time and determination will).  If you spend the majority of your time finding tutorials instead of creating art, then what you will master is your office skills not mastery of drawing.

Sure tutorial addiction isn’t quite as nasty as say substance addiction, but it is something that plagues many artists. At the end of the day, however, you work is more important than simply a bundle of free tutorials and inspirational images. Having a love for creating art is always the first stage in improving it. You have to love to create regardless of the quality of the finished product. You have to make the time to create your work too. Maybe you’re a busy student, maybe a single parent with a love for creative projects. Maybe you’re single and work 2 jobs to pay off your college loans. Regardless of your situation your time is precious, so finding the time for your art should be just as important as your day to day life. Create a schedule for drawing or painting if you have to. MAKE the time if your art is something you truly care about and want to improve on. When you have the time then you can work on your art and once you finish a project, start another piece learning from your mistakes on the last one.

What are your thoughts on this concept of “tutorial addiction?” Are you an addict yourself, or have you broken free of your chains of doubt? Join in the conversation about it in the comments below.

Infectious Creativity

“Infectious Creativity: The Key to a Successful Art Career”

To begin, I will give you this premise to consider: “Love your art until it becomes infectious!” This concept came out of a conversation I had with a friend and fellow artist early last month, but has stuck with me in principle. This concept of an infectious form of creativity is what I believe to be the driving force of what makes an artist successful or not.

The more I thought about it the more it seemed to ring true for my work, and the work of those artists that I admire. Creating your art should always start as a passion for something you love. For most artists that is what creating art is. However, in the process of being self-taught or taught in a rigorous program, it can be very easy to lose your passion for creation in the pursuit of perfection. While it is vitally important to your success to refine your skills and pursue mastery of the fundamentals, if you forget why you love creating in the process, then you will have lost the most important part of being an artist.

This idea of loving to create, and loving what you do, is what makes all successful artists stand out to us. While yes, the beautiful images they create are also important, ask yourself how many grumpy artists you follow? Would you want to learn from an artist who is indifferent about their work? Or how about an artist that hates everything they do? Ok, there is a certain sense of creative humility and realization that ever artist has, in knowing that their work needs improvement. However, if they continue to say “I suck, I suck, I suck,” then you as the fan will also start to think they suck as well. If you the artist are not passionate about the work you create, then what hope do your fans have to love the work that you do?

This is really the idea I want to drive home for all of you. Love what you do. Painting, drawing, writing, composing, whatever your creative outlet is do it because you love it FIRST, then worry about marketing and making money. Forget about client work. Forget what kind of art your friends and family like. Make art for yourself, because you love to! Maybe that sounds a bit selfish, but when you become crazy passionate about your work and your process, then other people will be excited to see, read, or hear your next great masterpiece! Yes, the first impression of a great piece of art brings people in, but what keeps them coming back is that they know you are an artist in love with creating.

It is only when we love to create that our passions infect others with creativity to create something of their own. Success isn’t a dollar amount. It’s not a number of shows or a single great piece of art. No, success is about community! It’s about sharing your creative love with the world, and having of the world answer back with their own unique creations. So in case you forgot along the way, “Love your art until it becomes infectious,” and then you will truly be successful.

I don't know who you are...Sorry.

So in looking back across the blog page here on the site I realized I haven't posted anything in nearly a year. Well, here's a post from another account of mine elsewhere from a few months ago, that I had forgotten about:

Like most of my posts, today I just want to get something off of my chest. While I was at a recent art show I ran into a number of my fellow artists, and as always we begin to talk about our ventures in the art world. One such friend (which will go nameless for various reasons) expressed to me the awkward displeasure of having someone recognize you, without you the artist knowing who they are. This I find to be a common problem among artists as well as any other public figure. In fact, I was reminded of my time in Catholic Seminary, when parishioners would know who I was without me knowing who they are.  

From the artist’s perspective, we are meeting fans and patrons of our work. Based on the artist, this may be easier, or harder, for some to remember a name or face. Either way though... they know you, but you don’t know them.

For me, this happens a lot online as well. While I may enjoy the conversations with many aspiring artists, there are very few of them who I will remember by name. On DeviantArt I’m lucky enough to recognize a user’s avatars, instead of their username. Youtube is just the same. I am of course operating on my best intentions, but sometimes I lose track of everyone.

So my point for today, is really a concern that I do wish more fans and patrons of the arts would recognize. Put simply, it’s that we (as artists) meet a lot of people, and can’t be expected to remember everyone. While it is very easy for a single person or a group to know one person, it is much harder for a single person to know all the members of a group. In regards to my seminary days...a church of people, will know a priest, deacon, or seminarian by name, but that person won’t know the names of 500+ people.

In general, I ask that you don’t hold the artist accountable for knowing your name, wanting to be friends, or treating you with anything more than awkward respect they already give you. Please, it’s hard enough already.